விளக்கம்086-did-the-Hand-then-of-the-Potter-shake-q75-1020x1401.jpg	Did the Hand then of the Potter shake
நாள்	1905, 1912
மூலம்	Omar Khayyam, tr. Edward Fitzgerald: “The Rubaiyat of Omar Khayyam” (1905, 1912) [1]
ஆசிரியர்	Adelaide Hanscom and Blanche Cumming (fl. 1902 - 1924). Adelaide Hanscom Leeson  (1875–1931)     மாற்று பெயர்கள் Adelaide Hanscom விளக்கம் American ஒளிப்படக் கலைஞர் உம் ஓவியர் பிறந்த/இறந்த தேதி 25 நவம்பர் 1875  19 நவம்பர் 1931  பிறந்த/இறந்த இடம் Coos Bay  பாசடீனா  அதிகாரக் கட்டுப்பாடு : Q1875363 VIAF: 30870981 ISNI: 0000000108141105 ULAN: 500068197 Open Library: OL1597863A LCCN: n81141882 WorldCat creator QS:P170,Q1875363
அனுமதி (இக்கோப்பை மீண்டும் பயன்படுத்துதல்)	Public domainPublic domainfalsefalse This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.  Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Honduras has a general copyright term of 75 years, but it does implement the rule of the shorter term. Copyright may extend on works created by French who died for France in World War II (more information), Russians who served in the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously rehabilitated victims of Soviet repressions (more information). This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse

A boy or young man kneels, wearing only a loin-cloth: he is bare-chested and barefoot. He is a potter, holding a cup.

LIX

“Listen again. One Evening at the Close

Of Ramazan, ere the better Moon arose,

In that old Potter’s Shop I stood alone

With the clay Population round in Rows.

LX

And, strange to tell, among that Earthen Lot

Some could articulate, while others not:

And suddenly one more impatient cried—

“Who *is* the Potter, pray, and who the Pot?”

LXI

Then said another—“Surely not in vain

“My Substance from the common Earth was ta’en,

“That He who subtly wrought me into Shape

“Should stamp me back to common Earth again.”

LXII

Another said—“Why, ne’er a peevish Boy,

“Would break the Bowl from which he drank in Joy;

“Shall He that *made* the Vessel in pure Love

“And Fancy, in an after Rage destroy!”

LXIII

None answer’d this; but after Silence spake

A Vessel of a more ungainly Make:

“They sneer at me for learning all awry;

“What! did the Hand then of the Potter shake?”

LXIV

Said one—“Folk of a surly Tapster tell

“And daub his Visage with the Smoke of Hell;

“They talk of some strict Testing of us—Pish!

“He’s a Good Fellow, and ’t will all be well.”